We’ve talked about things like what makes a good Hero, what makes a good Nemesis, and how they work together to make a story that fits in the classic style popular the world over, so now let’s see how such a story is actually structure.
Last week we looked at the Nemesis, or Evil One in broad outline. This week let’s take a look at some of the traits that go into a well-constructed bad guy:
Next to the Hero, the most important character in the heroic journey, the foundational form of all storytelling, is the evil one. The Nemesis. The bad guy. The villain. The character who keeps the Hero from getting what the Hero needs.
It’s one of the strongest rules of writing: Your story is only as good as your Nemesis is bad.
We’ve discussed the Hero’s goals and how you can get the reader to identify and sympathize with the Hero. So who, exactly, is the Hero?
He’s an extreme, larger than life, slightly neurotic, driven type. He stands out in a crowd. He should be just a little bit better than the average guy – stronger, wittier, more beautiful, but not excessively so.